In Search of Identity: Apollonius Versus Julian—Representation on an Oil Lamp from the Belgrade City Museum

Keywords: North African oil lamps, Apollonius of Tyana, Julian the Apostate, iconography, Late Antiquity

Abstract


The subject of the paper is a depiction of a bearded man on an ancient North African oil lamp from the 5th century, housed in the Belgrade City Museum (Antique Archaeology Collection). The bearded man is depicted with a laurel wreath in his hair. Based on earlier interpretations, it has been assumed that this figure might represent Christ, or rather Emperor Julian the Apostate (361–363). In previous research, the author proposed the thesis that the depicted figure should be identified as the philosopher Apollonius of Tyana, a claim examined in depth in the present paper. The article provides a comparative analysis of known and confirmed representations of Apollonius of Tyana and Julian the Apostate. Of particular importance is the latest research on Julian’s portraits, as well as textual sources that confirm the relevance of Apollonius of Tyana in Roman North Africa.

References

Alföldi, A. (1962). Some portraits of Julianus Apostata. American Journal of Archaeology, 66(4), 403–405.

Bowie, E. (2009). Philostratus: The life of a sophist. In: E. Bowie & J. Elsner (Eds.), Philostratus (pp. 19–32). Cambridge: Cambridge University Press.

Brown, P. R. L. (1971). The World of Late Antiquity, AD 150–750: From Marcus Aurelius to Muhammad. London: Thames and Hudson.

Brown, P. R. L. (1980). Art and society in Late Antiquity. In: K. Weitzmann (Ed.), The Age of Spirituality: A Symposium (pp. 17–28 ). New York: Metropolitan Museum of Art.

Bussière, J., & Rivel, J. C. (2015). Répertoire de fleurons sur bandeaux de lampes africaines type Hayes II. Oxford: Archaeopress.

Cameron, A. (2010). The Last Pagans of Rome. Oxford: Oxford University Press.

Curta, F. (2016). Shedding light on a murky matter: Remarks on 6th to early 7th century clay lamps in the Balkans. Archaeologia bulgarica, 20(3), 51–116.

Dalton, O. M. (1901). Catalogue of Early Christian Antiquities and Objects from the Christian East in the Department of British and Medieval Antiquities and Ethnography of the British Museum. London: British Museum.

Demandt, A. (2007). Geschichte der Spätantike: Das Römische Reich von Diocletian bis Justinian 284–565. Münich: C. H. Beck.

Dzielska, M. (1986). Apollonius of Tyana in Legend and History. Roma: L’Erma di Bretschneider.

Elsner, J. (1997). The origins of the icon: Pilgrimage, religion and visual culture in the Roman East as ‘resistance’ to the centre. In: S. E. Alcock (Ed.), The Early Roman Empire in the East (pp. 178–199). Oxford: Oxbow Books.

Elsner, J. (2002). The birth of Late Antiquity: Riegl and Strzygowski in 1901. Art History, 25(3), 358–379. https://doi.org/10.1111/1467-8365.00326

Elsner, J. (2006). Late antique art: The problem of the concept and the cumulative aesthetic. In: S. Swain & M. Edwards (Eds.), Аproaching Late Antiquity: The Transformation from Early to Late Empire (pp. 271–309). Oxford: Oxford University Press. https://doi.org/10.1093/ACPROF:OSO/9780199297375.003.0011

Elsner, J. (2009). Beyond compare: Pagan saint and Christian god in Late Antiquity. Critical Inquiry, 35(3), 655–683. https://doi.org/10.1086/598818

Ennabli, A. (1976). Lampes chrétiennes de Tunisie (musées du Bardo et de Carthage). Paris: Éditions du Centre National de la Recherche Scientifique.

García Ruiz, M. P. (2018). Julian’s self-representation in coins and texts. In: D. W. P. Burgersdijk & A. J. Ross (Eds.), Imagining Emperors in the Later Roman Empire (pp. 204–233). Leiden: Brill.

Guidetti, F. (2015). I ritratti dell’imperatore Giuliano. In: A. Marcone (Ed.), L’imperatore Giuliano. Realtà storica e rappresentazione (pp. 12–49). Firenze: Le Monnier Università.

Guidetti, F. (2022). Giuliano imperatore: immagine ufficiale e comunicazione politica. Montesquieu.It, 14(1). https://doi.org/10.6092/issn.2421-4124/14620

Hayes, J. W. (1972). Late Roman Pottery. London: British School at Rome.

Herrmann, Ј., & Van den Hoek, А. (2002). Light from the Age of Augustine: Late Antique Ceramics from North Africa (Tunisia). Cambridge, MA: Harvard Divinity School.

Herrmann, Ј., & Van den Hoek, А. (2019). The Vandals and the end of elite North African ceramics: Relief decoration on African red slip ware. In: J. W. Drijvers & N. Lenski (Eds.), The Fifth Century: Age of Transformation (pp. 79–91). Bari: Edipuglia.

Hunt, D. (2008). Julian. In: A. Cameron & P. Garnsey (Eds.), Cambridge Ancient History, Vol. XIII: The Late Empire (AD 337–425) (pp. 44–77). Cambridge: Cambridge University Press.

Jensen, R. M. (2000). Understanding Early Christian Art. London: Routledge.

Jones, C. P. (1980). An epigram on Apollonius of Tyana. The Journal of Hellenic Studies, 100, 190–194.

Jones, C. P. (2018). Apollonius of Tyana in Late Antiquity. Retrieved April 15, 2025, from: https://chs.harvard.edu/chapter/christopher-p-jones-apollonius-of-tyana-in-late-antiquity/

Karivieri, A. (2010). Pagan intellectuals, the early Christian church and attitudes toward images. In: M. Ahlqvist, A. M. Laato, & M. Lindfelt (Eds.), Flumen saxosum sonans: Studia in honorem Gunnar af Hällström (pp. 55–64). Åbo: Åbo Akademis förlag.

King, C. W. (1871). The true nature of the contorniate medals. Archaeological Journal, 28(1), 210–218.

Kitisakon, K. (2023). Observation of portraits of Julian the Apostate. Humanities, Arts and Social Sciences Studies, 23(1), 36–48. https://doi.org/10.14456/hasss.2023.4

Krunić, S. (2005). Pregled antičkih svetiljki Singidunuma. Singidunum, 4, 45–104.

Lévêque, P. (1960). Observations sur l’iconographie de Julien dit l’Apostat, d’après une tête inédite de Thasos, Monuments et mémoires de la Fondation Eugène Piot, 51, 105–128.

Levine, A. (2012). The Image of Christ in Late Antiquity: A Case Study in Religious Interaction (Unpublished doctoral dissertation). Corpus Christi College, University of Oxford.

Löhr, W. (2008). Western Christianities. In: A. Casiday & F. W. Norris (Eds.), The Cambridge History of Christianity, Vol. 2: Constantine to c. 600 (pp. 9–51). Cambridge: Cambridge University Press.

Lund, J. (2001). Motifs in context: Christian lamp. In: J. Fleischer, N. Hannestad, & J. Lund (Eds.), Late Antiquity: Art in Context (pp. 199–214). Copenhagen: Museum Tusculanum Press.

Mackensen, M., & Schneider, G. (2002). Production centres of African red slip ware (3rd–7th c.) in northern and central Tunisia: Archaeological provenance and reference groups based on chemical analysis. Journal of Roman Archaeology, 15, 121–158. https://doi.org/10.1017/S1047759400013878

Marsengill, K. (2020). Painting icons from icons: The theological significance of portraits in Late Antiquity. In: V. Tsamakda & N. Zimmermann (Hrsg.), Privatporträt. Die Darstellung realer Personen in der spätantiken und byzantinischen Kunst (S. 121–136). Wien: Österreichische Akademie der Wissenschaften.

McDowall, K. A. (1906). Contorniates and tabulae lusoriae. Numismatic Chronicle and Journal of the Royal Numismatic Society, 6, 232–266.

Mittag, P. F. (2015). Alföldi and the contorniates. In: J. H. Richardson & F. Santangelo (Eds.), Andreas Alföldi in the Twenty-First Century (pp. 259–268). Stuttgart: Franz Steiner Verlag.

Mleczek, A. (2020). Julian the Apostate’s religious policy and renovatio imperii morumque in the Res Gestae of Ammianus Marcellinus. Classica Cracoviensia, 23, 77–116. https://doi.org/10.12797/CC.23.2020.23.04

Norris, F. W. (2008). Greek Christianities. In: A. Casiday & F. W. Norris (Eds.), The Cambridge History of Christianity, Vol. 2: Constantine to c. 600 (pp. 70–117). Cambridge: Cambridge University Press.

Paleani, M. T. (1993). Le Lucerne Paleocristiane. Rome: ‘L’Erma’ di Bretschneider.

Panofsky, E. (1981). The concept of artistic volition. Critical Inquiry, 8(1), 17–33.

Petković, S., Tapavički-Ilić, M., & Anđelković Grašar, J. (2015). A portrait oil lamp from Pontes—Possible interpretations and meanings within early Byzantine visual culture. Starinar, 65, 79–89. https://doi.org/10.2298/STA1565079P

Platt, V. (2009). Virtual visions: ‘Phantasia’ and the perception of the divine in The Life of Apollonius of Tyana. In: E. Bowie & J. Elsner (Eds.), Philostratus (pp. 131–154). Cambridge: Cambridge University Press.

Pop-Lazić, S. P. (2002). Nekropole rimskog Singidunuma. Singidunum, 3, 7–100.

Porecca, D. (2014). Apollonius of Tyana through a Medieval Latin lens. Magic, Ritual, and Witchcraft, 9(2), 157–177. https://doi.org/10.1353/mrw.2014.0017

Raselli-Nydegger, L. (2005). Vom Bild zur Chiffre – Ein Beitrag zur unterschiedlichen Bildersprache auf römischen Lampen und Gemmen. Bulletin de l`Association Pro Aventico, 47, 63–74. https://doi.org/10.5169/SEALS-246215

Rebenich, S. (2020). Julian’s afterlife. The reception of a Roman emperor. In: S. Rebenich & H-U. Wiemer (Eds.), A Companion to Julian the Apostate (pp. 398–420). Leiden: Brill.

Riegl, A. (1893). Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik. Berlin: Siemens.

Riegl, A. (1985). Late Roman Art Industry. Rome: Giorgio Bretschneider Editore = Riegl, A. (1901). Die spätrömische Kunst-Industrie nach den Funden in Österreich-Ungarn. Wien: Österreichische Staatsdruckerei.

Rogić, D., Anđelković Grašar, J., & Nikolić, E. (2012). Wreath: Its use and meaning in ancient visual culture. Religija i tolerancija, X (18), 341–358.

Sabatier, J. (1860). Description générale des médaillons contorniates. Paris: Pillet.

Salomonson, J. W. (1962). Late-Roman earthenware with relief decoration found in Northern Africa and Egypt. Oudheidkundige Medede(e)lingen uit het Rijksmuseum van Oudheden te Leiden, 43, 53–95.

Schoolman, E. M. (2017). Image and function in ‘Christian’ and ‘pagan’ late antique terracotta lamps. In: M. Sághy & E. M. Schoolman (Eds.), Pagans and Christians in the Late Roman Empire: New Evidence, New Approaches (4th–8th centuries) (pp. 165–177). Budapest: CEU Press.

Smith, R. R. R. (1990). Late Roman philosopher portraits from Aphrodisias. The Journal of Roman Studies, 80, 127–155.

Somville, P. (2003). Portrait physique de l’empereur Julien. L’antiquité classique, 72, 161–166. https://doi.org/10.3406/antiq.2003.2512

Speyer, W. (1974). Zum Bild des Apollonios von Tyana bei Heiden und Christen. Jahrbuch für Antike und Christentum, 17, 47–63.

Spier, J. (2003). A lost consular diptych of Anicius Auchenius Bassus (A.D. 408) on the mould for an ARS plaque. Journal of Roman Archaeology, 16, 350–354. https://doi.org/10.1017/S1047759400013179

Spier, J. (2007). Late Antique and Early Christian Gems. Wiesbaden: Reichert.

Telea, M. (2014). Attempts at restoring pagan Hellenism during the reign of Emperor Julian the Apostate. Figures of Christian martyrs. International Journal of Orthodox Theology, 5(4), 177–199.

Trovato, S. (2023). Julian the Apostate in Byzantine Culture. London: Routledge.

Van den Hoek, A. (2005). Anicius Auchenius Bassus, African red slip ware, and the church. Harvard Theological Review, 98(2), 171–185. https://doi.org/10.1017/S001781600500091X

Van den Hoek, A. (2006). Peter, Paul and a consul: Recent discoveries in African red slip ware. Zeitschrift für Antikes Christentum, 9(2), 197–246. https://doi.org/10.1515/ZACH.2005.001

Van den Hoek, A., & Herrmann, J. (2013). Pottery, Pavements, and Paradise: Iconographic and Textual Studies on Late Antiquity. Leiden: Brill.

Van Nuffelen, P. (2020). The Christian reception of Julian. In: S. Rebenich & H-U. Wiemer (Eds.), A Companion to Julian the Apostate (pp. 360–397). Leiden: Brill.

Vasić, M. (2003). Bronze railing from Mediana. Starinar, 53–54, 79–110. https://doi.org/10.2298/STA0454079V

Visconti, E. Q. (1808). Iconographie ancienne ou Recueil des portraits authentiques des empereurs, rois, et hommes illustres de l’antiquité, T. I, Iconographie Grecque. Paris: P. Didot.

Walker, A. (2012). ‘The art that does not think’: Byzantine ‘decorative arts’—History and limits of a concept. In: C. Hourihane (Ed.), From Minor to Major. The Minor Arts in Medieval Art History (pp. 169–193). Princeton: Index of Christian Art.

Wiemer, H-U. (2020). Revival and reform: The religious policy of Julian. In: S. Rebenich & H-U. Wiemer (Eds.), A Companion to Julian the Apostate (pp. 207–244). Leiden: Brill.

Zanker, P. (1995). The Mask of Socrates: The Image of the Intellectual in Antiquity. Berkeley: University of California Press.

Zych, I. (2020). Empress and African: Two female images on terracotta oil lamps from the Red Sea port of Berenike. In: K. Jakubiak & A. Łajtar (Eds.), Ex Oriente Lux. Studies in Honour of Jolanta Młynarczyk (pp. 97–104). Warsaw: Warsaw University.

Бирташевић, М. (1960). Један царски портрет на жишку IV века. Весник музејског и конзерваторског друштва НРС, 1–2, 3–7.

Јанковић, М. (ур.) (2000). Крст над ушћем. Две хиљаде година хришћанства у Београду. Београд: Музеј града Београда.

Јовановић, А. (2006). Тло Србије завичај римских царева. Београд: Princip Bonart Pres.

Крунић, С. (2011). Античке светиљке из Музеја града Београда. Београд: Музеј града Београда.

Крунић, С. (2011a). Recte illuminas: Античке светиљке из Музеја града Београда (Каталог изложбе). Београд: Музеј града Београда.

Поповић, И. и Борић Брешковић, Б. (ур). (2013). Константин Велики и Милански едикт 313. Рађање хришћанства у римским провинцијама на тлу Србије. Београд: Народни музеј.

Тешић Радовановић, Д. (2019). Представљање светлости. Симболика украса ранохришћанских светиљки са простора централног Балкана (IV–VII век) (необјављена докторска дисертација). Филозофски факултет, Београд.

Тешић Радовановић, Д. и Јанковић, М. (2019). Прилог интерпретацији представа на групи касноантичких предмета са централног Балкана. У: М. Лончар-Вујновић (ур.), Наука без граница II: 2, Одјеци (стр. 263–286). Косовска Митровица: Филозофски факултет Универзитета у Приштини.

Тодоровић, Ј., Кондић, В. и Бирташевић, М. (1956). Археолошка налазишта у Београду и околини. Гласник Музеја града Београда, 3, 75–98.

Цвјетићанин, T. (2013). Приватна побожност. Предмети хришћанског култа у свакодневном животу. У: И. Поповић и Б. Борић Брешковић (ур.), Константин Велики и Милански едикт 313. Рађање хришћанства у римским провинцијама на тлу Србије (стр. 206–217). Београд: Народни музеј.

Published
2025/10/17
Section
Original Scientific Paper